The Art of Writing (or Singing Off-Key and Doing It Anyway)

 

“Writing is like singing in the dark—you don’t know if you’re in tune until someone listens.”

I ran my voice through the literary giants—Hemingway, Kafka, Proust, Dostoevsky—let their chords vibrate in my throat, tried to shape my words to their resonance. But the sound was always off, a discordant note in a song I wasn’t meant to sing.

The critique came swiftly, as it always does. The comparisons, the doubts. But in the friction of trying to match their pitch, I found something else—a whisper, thin at first, but persistent. It hummed beneath my ribs as I moved through the day, catching rhythm where I least expected.

Some days, I thought I had a song. The melody sharpened, the tempo steadied. A bassline of reason, a harmony of chaos. It held together—until it didn’t. Some words were met with applause, more were met with silence, a few with outright rejection. The tomato-throwing kind. The vaudeville hook dragging me offstage. But the song remained.

And so I sing it—off-key, unpolished, sometimes beautiful, often raw. I cover one ear to hear myself better, adjust, adjust, adjust. Not to match their voices, but to make mine ring clear.


One response to “The Art of Writing (or Singing Off-Key and Doing It Anyway)”

  1. The sound of one voice singing a song only it can sing is perhaps the most beautiful sound of all. Loved this.

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