the old woman is making a war
in the other room—
shoving anything not nailed down,
raising more dust
than she ever sweeps up.
I don’t look.
looking is an invitation.
and it’s Saturday.
and Sunday is coming.
“preach it,” I whisper
to no one.
I hold my phone
like it’s a holy book.
feel her glance
from the doorway.
the corners of our eyes collide.
I straighten—
a ghost moving for the door.
the grass ain’t cut.
mostly because it died.
you can’t afford water
to pretend it lives.
the shed door sags on its track,
a warning I ignore.
old Toro waits inside.
I give him a good tug.
he exhales a two-stroke cartoon,
a black plum of smoke,
and chokes.
I choke too—
on another yank.
takes everything I have
to make him roar.
or sputter.
at least he’s alive.
not like those silent electrics,
aliens sneaking across the lawn,
defying the law
that movement should sound
like something.
I stencil dead grass.
this direction,
then that—
rows on a chessboard of neglect.
I think of running Toro
perpendicular,
but see the tank
sucking the last vapor.
better to let him stall
like I meant it.
I half smile
to my woman:
I’m doing my part.
then retire the beast,
prop the shed door up
for the next sucker.
the ponies are running.
a grey horse should come in—
if only it would rain.
rain would level the field
against the favorites,
their brushed hair,
their polished coats.
I could win
on a 30-to-1 mudder,
a grey made for such days—
black and white,
sprinkled with gold,
Lafayette Pincay
in pink,
in bold silks.
I fluff the racing form,
suck in the nicotine,
throw a chin and an eyebrow
at my wife—
a told-you-so look.
Go West Young Man
comes in strong,
turning grey to green.
looks like we’ll be eating
chicken tonight.
sweeping thoughts
under rugs and couches
that never move.
it’s Saturday.
I shut the door.
those two Mormon boys
walk up the path.
I ain’t got enough sin
left in me
that needs forgiving.


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