3 x 5


from, Chapter 4: Walnut Season

It starts like this: the end begins with the cards.

For years, I kept my life organized on 3×5 index cards—neat, white, lined. They lived in small gray boxes stacked on chrome wire shelves above the kitchen sink. Stainless, or trying to be. Twenty boxes, two deep, three high. A library of myself.

I used to think memory was a kind of architecture. You build it right, it holds. You label the boxes—Childhood, Marriage, Regrets, August 16th—and you assume the structure will stand. You trust the shelves.

Lately, though, the cards have begun to escape. They curl at the edges. The ink bleeds. Words I once wrote so carefully—first kiss, her laugh, the way light fell through the hospital window—now blur into shadows. Sometimes, when I pull a card, the center is just… gone. Erased. A white hole where a moment used to live.

I read somewhere that in ancient Rome, they threw walnuts at weddings. A hollow clunk against stone pavers—a sound like hope hitting the ground. I imagine all those walnuts rolling through narrow streets, not knowing they’re symbols. Not knowing some will be eaten by birds and swell inside them until something breaks.

I layed a driveway once. Lowe’s was out of the synthetic cobblestone pavers I wanted, so I settled for something gray and close enough. Now I wonder if that’s all memory is—the paver you settled for. Close enough. Almost what you wanted. Almost true. But that is not the work I do–so I don’t.

The cards keep fading. August 16th. The year I turned Christ’s age when he died minus three. She said yes. I said yes. Three children came after. Not cards. Not boxes. Living, breathing things. If I press my ear to the air, I can still hear their laughter like distant bells. But I have to be quiet. Too quiet. The kind of quiet that invites erasers.

Maybe this is what they mean by dementia—not forgetting, but being rewritten. A slow, careless hand moving across your life, leaving blank spaces where love used to be.

I don’t worry about the birds eating walnuts. I’ve never seen it happen. But I understand the danger of holding onto something that can’t be digested. Something that swells inside you until you can no longer fly.

The shelves are still there. The boxes are still stacked. But the cards are becoming ghosts. And I am becoming the man who lives in the empty spaces between the lines.


4 responses to “3 x 5”

  1. You have such a devouring style. I really love this.

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  2. You amaze me with the way you make connections–ink disappearing, birds eating walnuts, dementia leaving spaces where love used to be. Beautiful. / I’m surprised the ink is disappearing on those cards since you’ve kept them out of the light. Perhaps the favorite ones could be transferred to an electronic file? Those three children might enjoy them in the years to come!

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    1. Nancy, thanks so much for this meaningful comment. You brought a smile to me in a most needed time.

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  3. The truth in this piece is so raw and yet you tell it in such a way that it shows the beauty even in sadness and regret. Do I sense a bit of hope? Maybe the empty spaces between the lines is the space that needs a rebel to write a new story on? Maybe by us letting go of the things that kept us from flying we can slowly find a place where love carries a new meaning and flying we discover is like riding a bike. We never truly forget how to ride. Bravo W

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